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4 Employers Share Architecture Portfolio Tips (With Real Examples)

At Bespoke Careers, hundreds of architecture portfolios land in our inbox every week. So what separates the ones that get a call from the ones that get scrolled past?

Jimmy Bent
Lucy Cahill
Craig Murray
Claudia Tschunko
Jimmy Bent, Lucy Cahill, Craig Murray & Claudia Tschunko (ARUP)  ·  Bespoke Careers Portfolio Review Panel

► Watch the full review

Bespoke consultants Jimmy Bent (Managing Director), Lucy Cahill (Director) and Craig Murray (Architecture Consultant) were joined by Claudia Tschunko (Leader of ARUP Architecture, UK, Middle East, India & Africa) to review three real candidate portfolios live. What follows are the key lessons, direct from their review.

The Panel

Jimmy Bent

Jimmy Bent
Managing Director
Bespoke Careers
20 years

Lucy Cahill

Lucy Cahill
Director
Bespoke Careers
16 years

Craig Murray

Craig Murray
Architecture Consultant
Bespoke Careers
3 years

Claudia Tschunko

Claudia Tschunko
Leader of ARUP Architecture
UK, Middle East, India & Africa
24 years

1

Nail the Basics: Length and File Size

Before a hiring manager even opens your portfolio, two things can already work against you: a file that won’t download and a document that goes on forever. The panel were unanimous keep it tight, keep it small.

Anything between 8 and 15 pages at an absolute max. It’s meant to be a snapshot of your best work.

Craig Murray

Craig MurrayArchitecture Consultant, Bespoke Careers

The rule applies to the file itself too. A bloated PDF signals carelessness before a single image has been seen.

Nothing more than 10 megabytes, ideally 5mb because sometimes people have size limits on what they can receive via email.

Craig Murray

Craig MurrayArchitecture Consultant, Bespoke Careers

Quick checklist: before you send

 8–15 pages maximum for an emailed portfolio

 Under 5MB ideally, absolute maximum 10MB

 Flatten your PDF as the very last step before sending

 Keep a longer, detailed version ready for interview

 Consistent page orientation portrait or landscape, never both

Pet hates from the panel

 Rotating from portrait to landscape mid-document (“That’s a red flag for me” – Craig)

 Sending a WeTransfer link. People are increasingly suspicious of external links

 Mixing A4 and A3 page sizes in the same document

2

Open With a Summary Page for Each Project

Every reviewer flagged the same frustration: beautiful imagery with no context. A strong portfolio opens by telling the reader who you are and what you’ve done on each project. The best candidates, the panel noted, solve this with a concise project summary page right at the front.

What I find quite helpful is if there page at the front outlining their experience or their range of projects. The best people do it with just the name of the project, the RIBA stages they worked on, their role. Their role purely could be one sentence and that’s it. That’s all you need.

Craig Murray

Craig MurrayArchitecture Consultant, Bespoke Careers

What your summary page should include

 Project name and type

 RIBA stages you worked on

 Your specific role. One sentence is enough

 Project scale / budget if relevant

 Whether it’s student work or professional practice work

 Software skills listed in plain text (not icons)

3

Put Your Best Work First

Time and again the panel found portfolios where the most compelling work was buried at the back. One candidate’s professional experience didn’t appear until page 28 of a 33-page document. By then, most hiring managers have already moved on.

Good stuff first. Best bits at the front. Professional work should always take the lead.

Lucy Cahill

Lucy CahillDirector, Bespoke Careers

People like list their work chronologically and put their best or latest works at the bottom. We sometimes review profiles and it’s not until we get to the end and we’ve almost dismissed them, and then suddenly you’re back in the conversation. A director would probably get three pages in and just go… no.

Craig Murray

Craig MurrayArchitecture Consultant, Bespoke Careers

4

Always Distinguish Student Work from Professional Work

This was one of the most repeated criticisms across all three portfolios. Without clear labelling, reviewers waste precious time trying to figure out whether a project was completed in university or on the job and that ambiguity can cost you.

There’s nothing worse than an impressive image with no context of your role and how you’re involved in it. You could have been in a team of three people or a team of 30 people. Without that, you just don’t know.

Claudia Tschunko

Claudia TschunkoLeader of ARUP Architecture, UK, Middle East, India & Africa

Any hiring manager or studio director is going to want to see any experience you’ve got in practice. No matter big or small, you’re always going to want to see that over university work.

Craig Murray

Craig MurrayArchitecture Consultant, Bespoke Careers

5

Show Your Process (Not Just Final Renders)

One of the strongest patterns the panel noted: portfolios full of polished 3D renders with no context. What separates a good portfolio is evidence of thinking how you got from problem to solution.

When it’s too image-based, it’s quite easy to hide behind those images. Whereas if I have a site plan presented to me with a proper ground floor plan and I say to the candidate, “Explain the project to me how do you come in, what’s the sequence?” that’s how you sell something to a client team.

Claudia Tschunko

Claudia TschunkoLeader of ARUP Architecture, UK, Middle East, India & Africa

We quite like to see 2D plans and sections. Seeing a nice section or a nice plan is actually something that we find very impressive. And in the times of AI seeing hand sketches is really refreshing. It’s something that we always notice positively.

Claudia Tschunko

Claudia TschunkoLeader of ARUP Architecture, UK, Middle East, India & Africa

Media the panel love to see

 Hand sketches and drawings

 Physical models (photographed well)

 2D plans and sections alongside 3D renders

 Process images showing how you developed a concept

 Mixed media it signals a range of skills

6

List Your Software In Plain Text

Icons of Revit and AutoCAD logos look slick. But they’re invisible to Applicant Tracking Systems (ATS) the software most large firms use to scan CVs and portfolios before a human ever sees them. Write the names out.

More and more people are using AI to filter through their applications. If it doesn’t pick it up, you’re going to miss out. It’s not going to pick up an icon. You need to write Revit.

Jimmy Bent

Jimmy BentManaging Director, Bespoke Careers

7

Put Your Contact Details on Every Single Page

Portfolios get printed, shared, forwarded, and split into separate pages. If your name and email only appear on the cover, you’ve lost your best advert the moment someone picks out a page they like.

Put your phone number and email address on every page. If this gets printed on paper and it’s on someone’s desk, they’re not going to know who you are. The front page especially. You want your LinkedIn there too. We want to be able to see your profile instantly.

Lucy Cahill

Lucy CahillDirector, Bespoke Careers

Contact info on every page should include

 Full name

 Email address

 Phone number

 LinkedIn URL (clickable in the PDF)

8

Keep Layouts Clean, Consistent, and Accessible

Several of the reviewed portfolios were genuinely well-designed but undermined by tiny text, inconsistent backgrounds, and pages with no clear hierarchy. The panel stressed: employers spend 30 seconds on a portfolio before they decide whether to move on.

We need to think about accessibility. I’m in my 40s, it’s can be harder to read and I don’t want to be zooming in. You want to capture people straight away.

Lucy Cahill

Lucy CahillDirector, Bespoke Careers

A white background always presents stronger. When you switch from white to black, you’ve got a bit of a mix. It’s just better to stick to one preference would be white.

Craig Murray

Craig MurrayArchitecture Consultant, Bespoke Careers

Layout mistakes to avoid

 Tiny font sizes. If you need to zoom to read it, fix it

 Switching background colour between pages

 No clear visual hierarchy. Readers shouldn’t have to decide where to look first

 Too many images on a single page. One project per page is ideal

The Three Portfolios Reviewed: What the Panel Said

Joshua’s Portfolio

Part I / Early Career

Joshua portfolio cover
Joshua portfolio page 2
Joshua portfolio page 10
Sample pages from Joshua’s portfolio

What worked: Joshua’s eight-page portfolio earned top marks for brevity. It’s exactly the right length. The layout was clean, with generous white space and one project per page. A hand sketch and physical models added welcome variety, and ending with a smiling photo left a warm final impression.

What needs work: The biggest issue: you can’t tell whether the work is student or professional. There’s no explanation of what Joshua actually did on each project. Contact details only appeared on the final page. With a summary page and a few lines of context per project, the panel agreed: “Just a couple of tiny tweaks and it would be perfect.”

Olivia’s Portfolio

Graduate / Student

Olivia portfolio page 1
Olivia portfolio page 2
Olivia portfolio page 3
Sample pages from Olivia’s portfolio

What worked: Olivia had a contents page with a clear project breakdown, a clickable LinkedIn in her contact details, and a useful “applied skills” section on each page listing techniques used. The panel praised these as smart touches that made her portfolio easier to navigate than most.

What needs work: Text was consistently too small, the opening page was text-heavy rather than visually impactful, and there was no professional work anywhere which raised questions. Some pages felt busy with no clear hierarchy. The panel also couldn’t identify any specific software she used. Lucy’s verdict: most effective overall layout of the three, but in need of curation.

Antoni’s Portfolio

Part II / Architecture Student

Antoni portfolio cover
Antoni portfolio page 2
Antoni portfolio page 31
Sample pages from Antoni’s portfolio

What worked: Antoni included a CV summary page with RIBA stages, skills, and project notes exactly what the panel wants to see. Some bold, full-bleed image spreads looked confident, and a late-appearing section of professional work showed genuine technical skill. The mixed media pages with hand sketching and models were praised too.

What needs work: 34 pages is too long. Professional experience appeared on page 28 completely buried. The CV was exported as an image, making it unreadable by ATS software and blurry on screen. Claudia’s note: “The 34 pages would slightly irritate me it would give an indication that they may not be so decisive. Do they know how to edit themselves?” The panel estimated it could be cut to 12 strong pages.

10–15 Years’ Experience: What Changes at Senior Level

The fundamentals don’t change much but what hiring managers are looking for shifts significantly once you have a decade of experience behind you.

At that level, seeing the whites in someone’s eyes and understanding who they are is becoming even more important. Experience and the way of leadership, how they shape up in a room that’s as important as their work in a way.

Claudia Tschunko

Claudia TschunkoLeader of ARUP Architecture, UK, Middle East, India & Africa

Highlight the projects where you had the most involvement. If you’re just on it for two weeks, you don’t probably need to include it if you’ve got ten years of experience. You want to highlight your strengths whether you led packages, whether you were on site, whether you were client facing.

Craig Murray

Craig MurrayArchitecture Consultant, Bespoke Careers

What to include at senior level

 Number of people managed and team leadership experience

 Project wins and client-facing responsibilities

 Completed project photography shows quality through to delivery

 Tailor the portfolio specifically to the role you’re applying for

 Specific packages or deliverables you owned even the toilet package counts

 Finance, HR, or wider management contributions if relevant

What is really quite attractive is when people come in and have a real proactive attitude towards our practice know about our practice well and can demonstrate and articulate a clear vision of what they want to do and the value they can bring. That is as compelling as their work.

Claudia Tschunko

Claudia TschunkoLeader of ARUP Architecture, UK, Middle East, India & Africa

The length rule still applies. A portfolio can be 12 pages long even with 20 years of experience. The difference is that at interview, senior candidates can bring a comprehensive second portfolio and when asked “what do you want to see?”, navigate straight to the most relevant pages.

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